Bows

As evocations, bows run the gambit. They top gifts and symbolize celebration, but also conjure idioms like, “the ties that bind” and “tied up in knots.” They suggest both a barrier to entry, and a surprise waiting to be received. These bows start as feelings; I sense into where they pinch and expand, where they inhale and unfurl. What they gather, what they protect, what they decorate or celebrate. I trace this feeling onto the canvas and begin raking lines meditatively, as in a Zen garden. Following the lines where they want to go, allowing all meaning to collapse — and expand.

The first Bow emerged from a fight with my partner, Paul.  We were in Santa Fe.  It was the morning of Christmas Eve.  Creatively I’d been feeling tied-up in a dense ball — tense, tight, paralyzed.  Paul said, “Why don’t you pull out that big stretched canvas you have downstairs and just play.  I’m going to the coffee shop.”  Play?!  I was furious.  But when he left, I pulled out that canvas.  My “play” was something closer to a war — between my impulses and my inner critic.  What I was making was TERRIBLE.  And then I would yell at myself for judging it.  Paul walked in in the midst of this torture and I quickly turned the painting to the wall so that my absolute worthlessness would not be seen. 

“Don’t be silly,” he said, and went and turned the painting back around.  I buried myself in the couch and would not look at him.  I locked myself in a bathroom.  I didn’t speak to him for the rest of the day.  We went on the famous Santa Fe Christmas Eve walk, not speaking.  The last thing I said before we went to bed was, “Fuck you, Paul.”  The next morning, I painted the first Bow. 


Fringe & Armature

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Fringe & Armature