Bows
As evocations, bows run the gambit. They top gifts and symbolize celebration, but also conjure idioms like, “the ties that bind” and “tied up in knots.” They suggest both a barrier to entry, and a surprise waiting to be received. These bows start as feelings; I sense into where they pinch and expand, where they inhale and unfurl. What they gather, what they protect, what they decorate or celebrate. I trace this feeling onto the canvas and begin raking lines meditatively, as in a Zen garden. Following the lines where they want to go, allowing all meaning to collapse — and expand.
The first Bow emerged from a fight with my partner, Paul. We were in Santa Fe. It was the morning of Christmas Eve. Creatively I’d been feeling tied-up in a dense ball — tense, tight, paralyzed. Paul said, “Why don’t you pull out that big stretched canvas you have downstairs and just play. I’m going to the coffee shop.” Play?! I was furious. But when he left, I pulled out that canvas. My “play” was something closer to a war — between my impulses and my inner critic. What I was making was TERRIBLE. And then I would yell at myself for judging it. Paul walked in in the midst of this torture and I quickly turned the painting to the wall so that my absolute worthlessness would not be seen.
“Don’t be silly,” he said, and went and turned the painting back around. I buried myself in the couch and would not look at him. I locked myself in a bathroom. I didn’t speak to him for the rest of the day. We went on the famous Santa Fe Christmas Eve walk, not speaking. The last thing I said before we went to bed was, “Fuck you, Paul.” The next morning, I painted the first Bow.