Bows

Each painting begins with Silverstein drawing a bow form—eyes half-closed, guided by feeling. then a zen-inspired process of “raking” lines of paint in complex color relationships. an iconic form - the bow - is used repeatedly to explore the tension between constriction and unfurling, bind and release.

clients and commissions


celerie kemble

2022


chatham school

2021


ascip offices

2020


private residence

2019

In the Bows series, Silverstein focuses on a singular, recurring motif: the bow.

Traditionally associated with femininity, ornamentation, and gift-giving, the bow is reclaimed here as a potent visual symbol— assertive, emotional, containing multitudes. It is at once a knot and an ornament, a mechanism of binding and a gesture of celebration.

Each painting begins with Silverstein drawing a bow form—eyes half-closed, guided by emotion more than strict representation. These loose, intuitive gestures provide the foundation for a process of increasingly precise and formal decisions. The works resolve through “raking” reminiscent of a Zen sand garden in complex color relationships and repetitive surface rhythms. Flatness becomes a field for attention.

The Bows are a spiritual practice, speaking to the tension of constraint and unfurling, withholding and release, the extremes of either being tied-up/bound, or flapping in the wind without a center.

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